Question

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tìm 10 lỗi sai trong đoạn văn sau

The Winterthur Museum is a collection and a house. There are many museums

devoted to the decorative arts and many house museums, but rarely in the United States

is a great collection displayed in a great country house. Passing through successive

Line generations of a single family, Winterthur has been a private estate for more than a

(5) century. Even after the extensive renovations made to it between 1929 and 1931, the

house remained a family residence. This fact is of importance to the atmosphere and

effect of the museum. The impression of a lived-in house is apparent to the visitor; the

rooms look as if they were vacated only a short while ago ― whether by the original

owners of the furniture of the most recent residents of the house can be a matter of

(10) personal interpretation. Winterthur remains, then, a house in which a collection of

furniture and architectural elements has been assembled. Like an English country

house, it is an organic structure; the house, as well as the collection and manner of

displaying it to the visitor, has changed over the years. The changes have coincided

with developing concepts of the American arts, increased knowledge on the part of

(15) collectors and students, and a progression toward the achievement of a historical effect

in period-room displays. The rooms at Winterthur have followed this current, yet still

retained the character of a private house.

The concept of a period room as a display technique has developed gradually over

the years in an effort to present works of art in a context that would show them to

(20) grater effect and would give them more meaning for the viewer. Comparable to the

habitat group in a natural history museum, the period room represents the decorative

arts in a lively and interesting manner and provides an opportunity to assemble objects

related by style, date, or place of manufacture.