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21 tháng 6 2019

Đáp án D

A. Mãi cho đến thế kỷ 19, nhu cầu về trà bắt đầu tăng lên.

B. Đó là giá thiên văn của nó làm giảm nhu cầu về trà trong thế kỷ 19.

C. Trong thế kỷ 19, giá chè không tăng bất chấp nhu cầu.

D. Nhu cầu về trà rất cao trong thế kỷ 19 rằng giá của nó rất lớn.

20 tháng 10 2018

Đáp án D.

Nghĩa câu gốc: Do thực tế là nhu cầu về trà là rất cao trong thế kỷ 19, giá của nó vô cùng cao.

D. Nhu cầu về trà trong thế kỷ 19 cao đến nỗi mà giá của nó rất cao.

Các đáp án còn lại bị sai nghĩa gốc:

C. It was not until the 19th century that the demand for tea started to increase: Mãi cho đến thế kỷ 19, nhu cầu về trà bắt đầu tăng lên.

B. It was its astronomical price which decreased the demand for tea in the 19th century: Đó là giá thiên văn của nó làm giảm nhu cầu về trà trong thế kỷ 19.

A. In the 19th century the price for tea didn’t increase despite the demand: Trong thế kỷ 19, giá chè không tăng bất chấp nhu cầu.

16 tháng 6 2017

Đáp án D

Đáp án là D. Cấu trúc “ quá ... đến nỗi mà...” : S + be + so + adj + that + S + V.

Dịch: Nhu cầu dùng trà quá cao ở thế kỷ thứ 19 đến nỗi giá cả của nó lại tăng cao.

1 tháng 10 2017

Đáp án C

Giải thích:

A. Mãi cho đến thế kỷ 19, nhu cầu về chè bắt đầu gia tăng. => SAI NGHĨA

B. Trong thế kỷ 19 giá của trà không tăng bất chấp nhu cầu cao. => SAI NGHĨA

C. Nhu cầu chè cao rất trong thế kỷ 19 đến nỗi mà giá của nó đã tăng lên rất nhiều.

D. Giá của nó làm giảm nhu cầu trà vào thế kỷ 19. => SAI NGHĨA

Dịch nghĩa: Do nhu cầu về trà rất cao trong thế kỷ 19, nên giá của nó đã tăng lên rất nhiều

8 tháng 4 2018

Đáp án C

Dịch nghĩa: Do nhu cầu về trà rất cao trong thế kỷ 19, nên giá của nó đã tăng lên rất nhiều.

= C. Nhu cầu về trà trong thế kỉ 19 cao nỗi mà giá của nó đã tăng lên rất nhiều.

Cấu trúc S + be + so + adj + that + clause: ...đến nỗi...mà

Các đáp án khác:

A. Chỉ cho đến thế kỷ 19 nhu cầu về trà mới bắt đầu tăng lên.

B. Trong thế kỷ 19, giá trà không tăng bất chấp lượng nhu cầu của nó.

D. Chính giá trà đã giảm nhu cầu của nó vào thế kỷ 19.

Các đáp án trên đều không đúng nghĩa so với câu gốc

14 tháng 5 2019

Đáp án A

Abolish (v) ≈ eradicate (v) ≈ eliminate (v): thủ tiêu, bãi bỏ, huỷ bỏ ≠ institute (v): thành lập
Tạm dịch: Chế độ nô lệ đã được bỏ ở Mỹ vào thế kỷ thứ 19

26 tháng 12 2019

Đáp án A

Abolish (v) ≈ eradicate (v) ≈ eliminate (v): thủ tiêu, bãi bỏ, huỷ bỏ ≠ institute (v): thành lập
Tạm dịch: Chế độ nô lệ đã được bỏ ở Mỹ vào thế kỷ thứ 19 

23 tháng 8 2019

Kiến thức: Cấu trúc “so… that”

Giải thích:

Cấu trúc “so…that”: S + be + so + adj + that + S + V …: quá … đến nỗi mà …

Đảo ngữ: So + adj + be + S + that + S + V …

Cấu trúc “such…that”: S + V + such + (a/an) + adj + noun + that + S + V …

Tạm dịch: Nhu cầu lớn đến nỗi họ phải in lại cuốn sách ngay lập tức.

  A. Họ phải in sách ngay lập tức để đáp ứng nhu cầu ngày càng tăng.

  B. Để đáp ứng nhu cầu ngày càng lớn hơn, họ đã phải in sách ngay lập tức.

  C. Có một nhu cầu lớn đến nỗi cuốn sách đã được in ngay lập tức.

  D. Nhu cầu lớn đến nỗi họ phải in lại cuốn sách ngay lập tức.

Câu A, B, C sai về nghĩa.

Chọn D

Read the following passage and mark the letter on your answer sheet to indicate the correct answerBefore photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of...
Đọc tiếp

Read the following passage and mark the letter on your answer sheet to indicate the correct answer

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in his Boston gallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training in England. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

The word acquire is closest in meaning to________ 

A. steal

B. borrow

C. ask

D. get

1
28 tháng 9 2019

 Đáp án là D. acquire = get: được, giành được

Read the following passage and mark the letter on your answer sheet to indicate the correct answerBefore photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of...
Đọc tiếp

Read the following passage and mark the letter on your answer sheet to indicate the correct answer

Before photography was invented in 1839, painted portraits, and engravings based on them, were one of the few ways to record likenesses. From the Colonial era through the 1820s, portraiture was the most widely practiced genre of American art, and it continued to be a significant form through the 19th century. The demand for likenesses was incessant, and portraiture was often the primary source of income for artists. Artists frequently made portraits of famous people to attract interest and potential patrons. For example, in 1834 Chester Harding painted frontiersman Davy Crockett, then a member of the U.S. House of Representatives, for display in his Boston gallery.

A consistent belief through most of the 18th and 19th centuries was that character could be read from a person's face, or the bumps on his or her head, or from facial expressions, and that portraits should convey these indicators of character. These theories of physiognomy and phrenology have since been debunked, but they were important considerations in depicting the nation's leaders, since such portraits were often made for posterity. Most people had only one portrait painted in their lifetime, if at all, so artists were selected with great care, and expectations were high.

Before the 1840s, American portraiture was influenced primarily by English techniques, poses, compositions and gestures, and many artists received at least part of their training in England. Even canvas sizes followed the British example. Portraits made on commission were priced according to canvas size and the materials and labor involved.

In the late 19th century as European portraitists began traveling to the United States to acquire commissions from the growing upper class, American artists increasingly felt they needed to train abroad in order to succeed at home. Paris continued to be the main lure. as painters such as Eakins, Whistler, Beaux and Sargent went to study there. Some of America's best-known portraitists, in fact, became expatriates.

The word poses is closest in meaning to________ 

A. stance

B. height

C. weight

D. manner

1
16 tháng 5 2019

   Đáp án là B. poes = height: chiều cao