Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each...

LQ

Lê Quỳnh Anh

23 tháng 11 2019

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

According to the passage, all of the following are true of ancient Greek potters and vase painters EXCEPT __________________.

A. Their functions were so specialized that they lacked common concerns.

B. They sometimes produced inferior ware.

C. They produced pieces that had unusual color and shine.

D. They decorated many of their works with human images

#Mẫu giáo

1

DH

Dương Hoàn Anh

23 tháng 11 2019

Chọn đáp án A

Theo bài đọc, tất cả các điều sau đây đúng về thợ gốm và thợ sơn bình Hy Lạp NGOẠI TRỪ ______ .

A. nhiệm vụ của họ quá chuyên biệt đến mức họ thiếu những mối quan tâm chung

B. Đôi khi họ sản xuất đồ kém chất lượng

C. Họ đã làm ra các sản phẩm có độ sáng bóng và màu sắc tuyệt vời

D. Họ đã trang trí nhiều tác phẩm của mình bằng các hình ảnh con người

A. sai (the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other: các nhiệm vụ sản xuất và trang trí thường được phân chia giữa họ, nhưng không có nhóm nào quá chuyên biệt đến mức không chia sẻ mối quan tâm với nhóm còn lại)

B. đúng (There were also a number of poor-quality figurines and painted pots produced in quantity by easy: Cũng có một số lượng các nồi sơn và bức tượng nhỏ có chất lượng kém được sản xuất theo số lượng dễ dàng)

C. đúng (its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature ...: màu sắc và độ bóng đặc biệt của nó là kết quả của sự điều chỉnh nhiệt độ lò nung khéo léo...)

D. đúng (Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.: cách trang trí hình người A-ten da đỏ và da đen nhấn mạnh hình ảnh con người hơn là các hình ảnh con vật được lựa chọn vào thời kì năm 630-530 trước công nguyên)

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LQ

Lê Quỳnh Anh

30 tháng 9 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

It can be inferred from the passage that most pottery establishments in ancient Greece were situated ___________ .

A. in city centers

B. on the outskirts of cities

C. where clay could be found

D. near other potters’ workshops

#Mẫu giáo

1

DH

Dương Hoàn Anh

30 tháng 9 2018

Chọn đáp án C

Chúng ta có thể suy ra từ bài đọc rằng hầu hết các cơ sở sản xuất gốm ở Hy Lạp cổ đại được đặt _____ .

A. ở trung tâm thành phố

B. ở các vùng ngoại ô của thành phố

C. ở nơi có thể tìm thấy đất sét

D. ở gần các xưởng gốm khác

Dẫn chứng: Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement... (Chẳng hạn, các thợ làm gốm thấy thuận tiện khi đặt xưởng gốm ở gần nguồn đất sét, mà không quan tâm đến việc nó có gần khu đông dân cư không...)

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LQ

Lê Quỳnh Anh

18 tháng 3 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

The passage mainly discusses ancient Greek pottery and its __________ .

A. production techniques

B. similarity to other crafts

C. unusual materials

D. resemblance to earlier pottery

#Mẫu giáo

1

DH

Dương Hoàn Anh

18 tháng 3 2018

Chọn đáp án A

Bài đọc chủ yếu thảo luận đến việc làm gốm ở Hy Lạp cổ đại và ___________________ .

A. các kĩ thuật sản xuất

B. sự tương tự với các nghề thủ công khác

C. các chất liệu khác thường

D. sự giống với nghề làm đồ gốm trước đó

Dẫn chứng: ....The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot... (...Các kĩ thuật sản xuất gốm đã phát triển mạnh trước thời kì Hy Lạp, nhưng sự phát triển nghệ thuật đáng chú ý đã xuất hiện trong hình dạng và trang trí, ví dụ trong sự tương tác giữa màu đen và các men khác với bề mặt màu đỏ của nồi nung...)

Đúng(1)

LQ

Lê Quỳnh Anh

3 tháng 5 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

The word “marked” in the first paragraph is closest in meaning to __________ .

A. original

B. attractive

C. noticeable

D. patterned

#Mẫu giáo

1

DH

Dương Hoàn Anh

3 tháng 5 2017

Chọn đáp án C

Từ “marked” trong đoạn đầu gần nghĩa nhất với ___________________

A. thuộc nguồn gốc

B. hấp dẫn, lôi cuốn

C. đáng chú ý

D. được trang trí bằng mẫu vẽ

“ThetechniquesofpotterymanufacturehadevolvedwellbeforetheGreekperiod.butmarkedstvlistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot.” (Các kĩ thuật sản xuất gốm đã phát triển mạnh trước thời kì Hy Lạp, nhưng sự phát triển nghệ thuật đáng chú ý đã xuất hiện trong hình dạng và trang trí, ví dụ trong sự tương tác giữa màu đen và các men khác với bề mặt màu đỏ của nồi.)

Do đó: marked ~ noticeable: đáng chú ý, có thể nhận thấy

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LQ

Lê Quỳnh Anh

9 tháng 6 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

The word “confine” in the second paragraph is closest in meaning to _________ .

A. adapt

B. train

C. restrict

D. or

#Mẫu giáo

1

DH

Dương Hoàn Anh

9 tháng 6 2017

Chọn đáp án C

Từ “confine” trong đoạn 2 gần nghĩa nhất với ___________________ .

A. thích nghi

B. huấn luyện, đào tạo

C. hạn chế

D. tổ chức

“The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes” (Ứng dụng của đất nung là rất rộng nên các công nhân có thể tự giới hạn mình với các đồ dùng gia đình trang trí như nồi nấu ăn và chum dự trữ hoặc vật liệu xây dựng như ngói và ống thoát nước.)

Do đó: confine ~ restrict: giới hạn, hạn chế

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LQ

Lê Quỳnh Anh

28 tháng 3 2019

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

The word “presumably” in the second paragraph is closest in meaning to ____________

A. frequently

B. practically

C. preferably

D. probably

#Mẫu giáo

1

DH

Dương Hoàn Anh

28 tháng 3 2019

Chọn đáp án D

Từ “presumably” trong đoạn 2 gần nghĩa nhất với từ ___________________

A. thường xuyên

B. thiết thực, thực tế

C. yêu thích

D. có thể, có lẽ

“Some sixth andfifth century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Thasos produced many types of pottery and roof tiles too, presumably to meet local demand.” (Một số cơ sở gốm của người A-ten vào thế kỉ thứ 6 và 5 trước công nguyên được mọi người biết đến chỉ tập trung vào việc sản xuất một số lượng hạn chế các đồ trang sức, nhưng một cơ sở gốm nông thôn trên đảo Thasos đã sản xuất ra nhiều loại gốm và ngói, có lẽ là để đáp ứng nhu cầu địa phương)

Do đó: presumably ~ probably: có lẽ, có thể

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LQ

Lê Quỳnh Anh

9 tháng 5 2018

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the

correct answer to each of the questions from 35 to 42.

Often the craft worker’s place of employment in ancient Greece was set in rural isolation. Potter, for instance, found it convenient to locate their workshops near their source of clay, regardless of its relation to the center of settlement, At Corinth and Athens, however, two of the best-known potters’ quarters were situated on the cities’ outskirts, and potters and makers of terra-cotta figurines were also established well within the city of Athens itself. The techniques of pottery manufacture had evolved well before the Greek period, but marked stylistic developments occurred in shape and in decoration, for example, in the interplay of black and other glazes with the red surface of the fired pot. Athenian black-figure and red-figure decoration, which emphasized human figures rather than animal images, was adopted between 630 and 530 B.C.; its distinctive color and luster were the result of the skillful adjustments of the kiln’s temperature during an extended three-stage period if firing the clayware. Whether it was the potters or the vase-painters who initiated changes in firing is unclear; the functions of making and decorating were usually divided between them, but neither group can have been so specialized that they did not share in the concerns of the other.

The broad utility of terra-cotta was such that workers in clay could generally afford to confine themselves to either decorated housewares like cooking pots and jars or building materials like roof tiles and drainpipes. Some sixth-and fifth-century B.C. Athenian pottery establishments are known to have concentrated on a limited range of fine ware, but a rural pottery establishment on the island of Tliasos produced many types of pottery and roof tiles too, presumably to meet local demand. Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production. There were also a number of poor-quality figurines and painted pots produced in quantity by easy, inexpensive means- as numerous featureless statuettes and unattractive cases testify.

The word “they” in the second paragraph refers to __________________.

A. molds

B. particular effects

C. products

D. vessels and figurines

#Mẫu giáo

1

DH

Dương Hoàn Anh

9 tháng 5 2018

Chọn đáp án A

Từ “they” trong đoạn 2 đề cập đến ___________________.

A. những cái khuôn

B. các hiệu ứng đặc biệt

C. các sản phẩm

D. các loại chậu và các bức tượng nhỏ

Molds were used to create particular effects for some products, such as relief-decorated vessels and figurines; for other products such as roof tiles, which were needed in some quantity, they were used to facilitate mass production” (Khuôn được dùng để tạo ra các hiệu ứng đặc biệt cho một số sản phẩm như các loại chậu và các bức tượng nhỏ được chạm nổi; đối với các sản phẩm khác như ngói lợp cần số lượng lớn thì chúng được dùng để tạo thuận lợi cho việc sản xuất hàng loạt)

Do đó: “they” = molds

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LQ

Lê Quỳnh Anh

21 tháng 5 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. In the North American colonies, red ware, a simple pottery fired at low temperatures, and stone ware, a strong, impervious grey pottery fired at high temperatures, were produced from two different native clays. These kinds of pottery were produced to supplement imported European pottery. When the American Revolution (1775-1783) interrupted...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42.

In the North American colonies, red ware, a simple pottery fired at low temperatures, and stone ware, a strong, impervious grey pottery fired at high temperatures, were produced from two different native clays. These kinds of pottery were produced to supplement imported European pottery. When the American Revolution (1775-1783) interrupted the flow of the superior European ware, there was incentive for American potters to replace the imports with comparable domestic goods. Stoneware, which had been simple utilitarian kitchenware, grew increasingly ornate throughout the nineteenth century, and in addition to the earlier scratched and drawn designs, three dimensional molded relief decoration became popular. Representational motifs largely replaced the earlier abstract decorations. Birds and flowers were particularly evident, but other subjects lions, flags, and clipper ships are found. Some figurines, mainly of dogs and lions, were made in this medium. Sometimes a name, usually that of the potter, was die-stamped onto a piece.

As more and more large kilns were built to create the high-fired stoneware, experiments revealed that the same clay used to produce low-fired red ware could produce a stronger, paler pottery if fired at a hotter temperature. The result was yellow ware, used largely for serviceable items; but a further development was Rockingham ware one of the most important American ceramics of the nineteenth century. (The name of the ware was probably derived from its resemblance to English brown-glazed earthenware made in South Yorkshire.) It was created by adding a brown glaze to the fired clay, usually giving the finished product a mottled appearance. Various methods of spattering or sponging the glaze onto the ware account for the extremely wide variations in color and add to the interest of collecting Rockingham. An advanced form of Rockingham was flint enamel, created by dusting metallic powders onto the Rockingham glaze to produce brilliant varicolored streaks.

Articles for nearly every household activity and ornament could be bought in Rockingham ware: dishes and bowls, of course; also bedpans, foot warmers, cuspidors, lamp bases, doorknobs, molds, picture frames, even curtain tiebacks. All these items are highly collectible today and are eagerly sought. A few Rockingham specialties command particular affection among collectors and correspondingly high prices.

How did yellow ware achieve its distinctive color?

A. By sponging on a glaze

B. By dusting on metallic powders

C. By brown-glazing

D. By firing at a high temperature

#Mẫu giáo

1

DH

Dương Hoàn Anh

21 tháng 5 2017

Chọn đáp án D

Dẫn chứng: “As more and more large kilns were built to create the high-fired stoneware, experiments revealed that the same clay used to produce low-fired red ware could produce a stronger, paler pottery if fired at a hotter temperature. The result was yellow ware, used largely for serviceable items.” (Khi ngày càng nhiều lò nung lớn được xây dựng để tạo ra đồ gốm nung ở nhiệt độ cao, các thí nghiệm cho thấy rằng cùng một loại đất sét được sử dụng để tạo ra loại đồ gốm màu đỏ có thể tạo ra một loại gốm bền có màu nhạt hơn nếu được nung ở nhiệt độ cao hơn. Kết quả là tạo ra loại gốm màu vàng, được sử dụng chủ yếu cho các mặt hàng tiện lợi.)

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LQ

Lê Quỳnh Anh

28 tháng 1 2017

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42. In the North American colonies, red ware, a simple pottery fired at low temperatures, and stone ware, a strong, impervious grey pottery fired at high temperatures, were produced from two different native clays. These kinds of pottery were produced to supplement imported European pottery. When the American Revolution (1775-1783)...

Đọc tiếp

Read the following passage and mark the letter A, B, C, or D on your answer sheet to indicate the correct answer to each of the questions from 35 to 42.

In the North American colonies, red ware, a simple pottery fired at low temperatures, and stone ware, a strong, impervious grey pottery fired at high temperatures, were produced from two different native clays. These kinds of pottery were produced to supplement imported European pottery. When the American Revolution (1775-1783) interrupted the flow of the superior European ware, there was incentive for American potters to replace the imports with comparable domestic goods. Stoneware, which had been simple utilitarian kitchenware, grew increasingly ornate throughout the nineteenth century, and in addition to the earlier scratched and drawn designs, threedimensional molded relief decoration became popular. Representational motifs largely replaced the earlier abstract decorations. Birds and flowers were particularly evident, but other subjects---lions, flags, and clipper ships---are found. Some figurines, mainly of dogs and lions, were made in this medium. Sometimes a name, usually that of the potter, was die-stamped onto a piece.

As more and more large kilns were built to create the high-fired stoneware, experiments revealed that the same clay used to produce low-fired red ware could produce a stronger, paler pottery if fired at a hotter temperature. The result was yellow ware, used largely for serviceable items; but a further development was Rockingham ware---one of the most important American ceramics of the nineteenth century. (The name of the ware was probably derived from its resemblance to English brown-glazed earthenware made in South Yorkshire.) It was created by adding a brown glaze to the fired clay, usually giving the finished product a mottled appearance. Various methods of spattering or sponging the glaze onto the ware account for the extremely wide variations in color and add to the interest of collecting Rockingham. An advanced form of Rockingham was flint enamel, created by dusting metallic powders onto the Rockingham glaze to produce brilliant varicolored streaks.

Articles for nearly every household activity and ornament could be bought in Rockingham ware: dishes and bowls, of course; also bedpans, foot warmers, cuspidors, lamp bases, doorknobs, molds, picture frames, even curtain tiebacks. All these items are highly collectible today and are eagerly sought. A few Rockingham specialties command particular affection among collectors and correspondingly high prices.

How did yellow ware achieve its distinctive color?

A. By sponging on a glaze

B. By dusting on metallic powders

C. By brown-glazing

D. By firing at a high temperature

#Mẫu giáo

1

DH

Dương Hoàn Anh

28 tháng 1 2017

Chọn đáp án D

Dẫn chứng: “As more and more large kilns were built to create the high-fired stoneware, experiments revealed that the same clay used to produce low-fired red ware could produce a stronger, paler pottery if fired at a hotter temperature. The result was yellow ware, used largely for serviceable items.” (Khi ngày càng nhiều lò nung lớn được xây dựng để tạo ra đồ gốm nung ở nhiệt độ cao, các thí nghiệm cho thấy rằng cùng một loại đất sét được sử dụng để tạo ra loại đồ gốm màu đỏ có thể tạo ra một loại gốm bền có màu nhạt hơn nếu được nung ở nhiệt độ cao hơn. Kết quả là tạo ra loại gốm màu vàng, được sử dụng chủ yếu cho các mặt hàng tiện lợi.)

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