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In the Vietnamese town of Vong Nguyet, silk-making has been an important business for 1,200 years. Many of the village people keep silkworms in their living rooms. Each basket contains hundreds of silkworm caterpillars. Throughout the village of Vong Nguyet, people turn the cocoons into silk thread. The first step is to heat the cocoons so that the silk becomes loose. The end of each cocoon must be found by hand and spun together.The old spinning machines haven’t changed much for over a...
Đọc tiếp

In the Vietnamese town of Vong Nguyet, silk-making has been an important business for 1,200 years. Many of the village people keep silkworms in their living rooms. Each basket contains hundreds of silkworm caterpillars. Throughout the village of Vong Nguyet, people turn the cocoons into silk thread. The first step is to heat the cocoons so that the silk becomes loose. The end of each cocoon must be found by hand and spun together.

The old spinning machines haven’t changed much for over a thousand years. The modern machine has been designed for a finer, higher quality silk thread. It is much faster, but the ends of the silk fibers still have to be found by hand. Once the silk thread is made, it will leave Vong Nguyet and be sent to the weaving town of Van Phuc. Here the silk is made ready for the weaving machines, called looms.

The process of weaving Silk is very slow and the machines must be watched all the time. It takes around two and a half hours to make one meter of silk material. After a lot of work on the part of man and moth, the silk cloth is finally completed. Despite the invention of cheaper materials, natural silk is still loved for its beauty and comfort. This amazing product of man and moth continues to be extremely popular around the world.

1.         What is the passage mainly about?

        A. The origin of silk making                                          B. The reasons why silk is popular

        C. The process of making silk cloth                               D. A silk village in Viet Nam

2.         Where do most people in Vong Nguyet keep silkworms?

        A. in kitchens                                                                  B. inside baskets In the living rooms

        C. in bedrooms                                                               D. on the floor

3.         Which of the following is TRUE about mordern spinning machines?

        A. They produce better silk threads.

        B. They are completely different from the old machines.

        C. The old machines are faster than the mordern ones.

        D. People no longer have to find the ends of silk fibers by hand thanks to them

4. Which of the following CANNOT be done by machines?

        A. Weaving silk                                                              B. Finding the end of cocoons

        C. Spinning cocoons                                                       D. Making silk thread

5. Why is natural silk popular all over the world?        

        A. Because it is luxurious,                                              B. Because it is hard to make.

        C. Because it is expensive.                                             D. Because it is comfortable.

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Read the passage, and choose the correct answer A, B, Cor D for each question.To preserve and develop traditional craft villages, in recent years, the local authorities have conducted preservation of four traditional crafts: brocade weaving, silver carving, blacksmithing, and carpentry to bring about economic and social efficiency for the development of provincial tourism…Currently, the province of Lao Cai has formed the clear models of traditional villages. Cat Cat village has gradually...
Đọc tiếp

Read the passage, and choose the correct answer A, B, Cor D for each question.

To preserve and develop traditional craft villages, in recent years, the local authorities have conducted preservation of four traditional crafts: brocade weaving, silver carving, blacksmithing, and carpentry to bring about economic and social efficiency for the development of provincial tourism…

Currently, the province of Lao Cai has formed the clear models of traditional villages. Cat Cat village has gradually built its brand with the forging and casting products, textiles of linens of Hmong people. The famous alcohol villages have found their footholds in the market such as Pho village corn wine (Bac Ha), Xeo village wine (in Bat Xat commune)

The villages in the province have been associated with tourism spots and promote tourism development in the community, improve living standards of many families through their home business, selling handicrafts, brocade products.

In the past, in the villages in Sa Pa, people mostly make their living in agriculture, forestry, but now there have been many households getting involved in tourism activities of the village.

With the aim of preserving and developing traditional village linked to tourism development, most of the villages have created its own definition for tourists to learn and explore. In particular, brocade weaving is dominant, serving the needs of families and tourists. Only in Sa Pa district has 11 embroidery and weaving villages, in Ta Phin village, and San Sa Ho village with about 1000 households participating and a number of groups from the district women society, put on the market each year more than 30,000 metres of fabric. Other districts like Van Ban, Bac Ha have also formed several embroidery villages, attracting thousands of workers.

Cat Cat village is famous for   ……..

A. corn wine

B. its textiles of linens

C. blacksmithing

D. silver carving

1
5 tháng 7 2018

Đáp án: B

Thông tin: Cat Cat village has gradually built its brand with the forging and casting products, textiles of linens of Hmong people.

Dịch: Làng Cát Cát đã dần xây dựng thương hiệu của mình với các sản phẩm rèn và đúc, dệt vải lanh của người H'mông.

Read the passage below and choose one correct answer for each question. Silk Weaving in the ASEAN RegionFor the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving...
Đọc tiếp

Read the passage below and choose one correct answer for each question.

Silk Weaving in the ASEAN Region

For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving traditions to visitors. Weaving at the household and village level is done on large wooden frame looms, often under stilt houses. Intricate Cambodian ikats are world-renowned. It can take up to several days or more to produce one meter of an intricate ikat pattern. Ikat patterns were traditionally passed from generation to generation by memory; prior to the war, more than 200 different patterns were known to be in existence, but it is unclear how many have survived. Artisans Angkor, located in both Siem Reap and Phnom Penh, trains young Cambodians from rural areas in the art of weaving and other Cambodian crafts. In Thailand, the cultivation of silkworms and weaving can be traced back thousands of years. Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples. Mudmee is woven throughout the northeast, with each local community having its own distinct styles and designs, incorporating everything from nagas to elephants and peacocks. While chemical dyes are widely available, some weavers continue to practice traditional dyeing methods passed down through the generations. Viet Nam has become a center for large-scale silk worm and thread production in Southeast Asia, including handloomed silk shantung and jacquards, supplying its neighbors where sericulture is limited or disappeared entirely during the war years. Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions. Among the Black Thai in northwest Vietnam’s Son La province, for example, young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

Question: What is the common feature of Vietnamese and Thailand silk weaving?

A. They have the same type of silk with diverse styles and designs.

B. Viet Nam and Thailand were the centres of silk worm production during the war.

C. The ethnic groups play an important role and they use natural dyes.

D. Young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

1
29 tháng 7 2018

Đáp án:

Đặc điểm chung của nghề dệt lụa Việt Nam và Thái Lan là gì?

A. Họ có cùng loại lụa với phong cách và kiểu dáng đa dạng.

B. Việt Nam và Thái Lan là trung tâm sản xuất sâu tơ trong chiến tranh.

C. Các dân tộc đóng một vai trò quan trọng và họ sử dụng thuốc nhuộm tự nhiên.

D. Các cô gái trẻ được dự kiến sẽ học cách nuôi tơ lụa và làm thuốc nhuộm tự nhiên bằng cách sử dụng chàm.

Thông tin: Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions.

Tạm dịch: Việt Nam có 54 nhóm sắc tộc khác nhau, mỗi nhóm có truyền thống dệt riêng biệt.

Đáp án cần chọn là: C

Read the passage below and choose one correct answer for each question. Silk Weaving in the ASEAN RegionFor the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving...
Đọc tiếp

Read the passage below and choose one correct answer for each question.

Silk Weaving in the ASEAN Region

For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving traditions to visitors. Weaving at the household and village level is done on large wooden frame looms, often under stilt houses. Intricate Cambodian ikats are world-renowned. It can take up to several days or more to produce one meter of an intricate ikat pattern. Ikat patterns were traditionally passed from generation to generation by memory; prior to the war, more than 200 different patterns were known to be in existence, but it is unclear how many have survived. Artisans Angkor, located in both Siem Reap and Phnom Penh, trains young Cambodians from rural areas in the art of weaving and other Cambodian crafts. In Thailand, the cultivation of silkworms and weaving can be traced back thousands of years. Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples. Mudmee is woven throughout the northeast, with each local community having its own distinct styles and designs, incorporating everything from nagas to elephants and peacocks. While chemical dyes are widely available, some weavers continue to practice traditional dyeing methods passed down through the generations. Viet Nam has become a center for large-scale silk worm and thread production in Southeast Asia, including handloomed silk shantung and jacquards, supplying its neighbors where sericulture is limited or disappeared entirely during the war years. Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions. Among the Black Thai in northwest Vietnam’s Son La province, for example, young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

 Question: What the most distinguished feature of the silk textile in ASEAN?

A. It helps foreign visitors look for treasures of valuable things.

B. You can find different types of silk from anywhere in the world.

C. Each ASEAN country has its own type of silk which is different from any other.

D. It is the diversity of beautiful, traditional hand-woven materials.

1
25 tháng 1 2018

Đáp án:

Đặc điểm nổi bật nhất của dệt lụa ở ASEAN là gì?

A. Nó giúp du khách nước ngoài tìm kiếm kho báu của những thứ quý giá.

B. Bạn có thể tìm thấy các loại lụa khác nhau từ bất kỳ đâu trong thế giới.

C. Mỗi quốc gia ASEAN có loại lụa riêng của nó khác với loại tơ khác.

D. Đó là sự đa dạng của các vật liệu dệt tay truyền thống đẹp.

Thông tin: For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world.

Tạm dịch: Đối với người yêu dệt lụa, khu vực ASEAN chứa đựng một kho tàng những loại vải dệt tay đẹp nhất được tìm thấy ở bất cứ đâu trên thế giới.

Đáp án cần chọn là: D

Read the passage below and choose one correct answer for each question. Silk Weaving in the ASEAN RegionFor the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving...
Đọc tiếp

Read the passage below and choose one correct answer for each question.

Silk Weaving in the ASEAN Region

For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving traditions to visitors. Weaving at the household and village level is done on large wooden frame looms, often under stilt houses. Intricate Cambodian ikats are world-renowned. It can take up to several days or more to produce one meter of an intricate ikat pattern. Ikat patterns were traditionally passed from generation to generation by memory; prior to the war, more than 200 different patterns were known to be in existence, but it is unclear how many have survived. Artisans Angkor, located in both Siem Reap and Phnom Penh, trains young Cambodians from rural areas in the art of weaving and other Cambodian crafts. In Thailand, the cultivation of silkworms and weaving can be traced back thousands of years. Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples. Mudmee is woven throughout the northeast, with each local community having its own distinct styles and designs, incorporating everything from nagas to elephants and peacocks. While chemical dyes are widely available, some weavers continue to practice traditional dyeing methods passed down through the generations. Viet Nam has become a center for large-scale silk worm and thread production in Southeast Asia, including handloomed silk shantung and jacquards, supplying its neighbors where sericulture is limited or disappeared entirely during the war years. Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions. Among the Black Thai in northwest Vietnam’s Son La province, for example, young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

 Question: Which of the following is true about silk weaving in Cambodia?

A. The well-known ikat patterns have been passed down for a couple of years.

B. It is done on large wooden frame looms in families or in communities.

C. The arts of ikats were taught in schools in the past.

D. More than 200 different patterns of ikats are known to be in existence.

1
25 tháng 11 2019

Đáp án:

Đáp án:

Điều nào sau đây là đúng về dệt lụa ở Campuchia?

A. Các mẫu ikat nổi tiếng đi xuống trong một vài năm.

B. Nó được thực hiện trên khung gỗ lớn trong gia đình hoặc trong cùng 1 khu.

C. Nghệ thuật của ikats được dạy trong các trường học trước đó.

D. Hơn 200 mẫu khác nhau của ikats được biết là tồn tại.

Thông tin: Weaving at the household and village level is done on large wooden frame looms, often under stilt houses.

Tạm dịch: Dệt ở cấp hộ gia đình và làng được thực hiện trên khung khung gỗ lớn, thường là dưới những ngôi nhà sàn.

Đáp án cần chọn là: B

Read the passage below and choose one correct answer for each question. Silk Weaving in the ASEAN RegionFor the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving...
Đọc tiếp

Read the passage below and choose one correct answer for each question.

Silk Weaving in the ASEAN Region

For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving traditions to visitors. Weaving at the household and village level is done on large wooden frame looms, often under stilt houses. Intricate Cambodian ikats are world-renowned. It can take up to several days or more to produce one meter of an intricate ikat pattern. Ikat patterns were traditionally passed from generation to generation by memory; prior to the war, more than 200 different patterns were known to be in existence, but it is unclear how many have survived. Artisans Angkor, located in both Siem Reap and Phnom Penh, trains young Cambodians from rural areas in the art of weaving and other Cambodian crafts. In Thailand, the cultivation of silkworms and weaving can be traced back thousands of years. Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples. Mudmee is woven throughout the northeast, with each local community having its own distinct styles and designs, incorporating everything from nagas to elephants and peacocks. While chemical dyes are widely available, some weavers continue to practice traditional dyeing methods passed down through the generations. Viet Nam has become a center for large-scale silk worm and thread production in Southeast Asia, including handloomed silk shantung and jacquards, supplying its neighbors where sericulture is limited or disappeared entirely during the war years. Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions. Among the Black Thai in northwest Vietnam’s Son La province, for example, young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

 Question: All of the following are true about silk weaving in Thailand EXCEPT that    _______.

A. mudmee is woven throughout the northeast by Khmer and Lao peoples

B. the trade of silkworms and weaving has lasted thousands of years

C. the different ethnic groups have contributed to the richness and diversity of weaving patterns.

D. some local communities have their own distinct styles and designs, incorporating images from nature or legends

1
23 tháng 10 2017

Đáp án:

Tất cả những điều sau đây là đúng về dệt lụa ở Thái Lan ngoại trừ _______.

A. mudmee được dệt ở khắp phía đông bắc bởi người Khmer và Lào

B. việc buôn bán tằm và dệt đã kéo dài hàng ngàn năm

C. các nhóm dân tộc khác nhau đã góp phần vào sự phong phú và đa dạng của nghề dệt mẫu

D. một số cộng đồng địa phương có kiểu dáng và kiểu dáng riêng biệt, kết hợp hình ảnh từ thiên nhiên hoặc truyền thuyết

Thông tin: Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples

Tạm dịch:  Các mẫu dệt dệt tốt nhất của Thái Lan, bao gồm mudmee hoặc ikat, rất phong phú và đa dạng nhờ ảnh hưởng của các nhóm sắc tộc khác nhau, bao gồm cả người Khmer và người Lào.

Đáp án cần chọn là: A

Read the passage below and choose one correct answer for each question. Silk Weaving in the ASEAN RegionFor the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving...
Đọc tiếp

Read the passage below and choose one correct answer for each question.

Silk Weaving in the ASEAN Region

For the silk textile lover, the ASEAN region contains a treasure trove of the most beautiful hand-woven fabrics found anywhere in the world. These textiles are surprising in their diversity: from the ikats of Cambodia and Thailand, to the golden songket of Indonesia and Malaysia, to the Philippine pina silk and the Vietnamese silk shantung – each country offers its own century-old weaving traditions to visitors. Weaving at the household and village level is done on large wooden frame looms, often under stilt houses. Intricate Cambodian ikats are world-renowned. It can take up to several days or more to produce one meter of an intricate ikat pattern. Ikat patterns were traditionally passed from generation to generation by memory; prior to the war, more than 200 different patterns were known to be in existence, but it is unclear how many have survived. Artisans Angkor, located in both Siem Reap and Phnom Penh, trains young Cambodians from rural areas in the art of weaving and other Cambodian crafts. In Thailand, the cultivation of silkworms and weaving can be traced back thousands of years. Weaving patterns of  Thailand’s finest weaving, including mudmee, or ikat, are rich anddiverse thanks to the influence of the different ethnic groups, including Khmer and Lao peoples. Mudmee is woven throughout the northeast, with each local community having its own distinct styles and designs, incorporating everything from nagas to elephants and peacocks. While chemical dyes are widely available, some weavers continue to practice traditional dyeing methods passed down through the generations. Viet Nam has become a center for large-scale silk worm and thread production in Southeast Asia, including handloomed silk shantung and jacquards, supplying its neighbors where sericulture is limited or disappeared entirely during the war years. Vietnam has 54 different ethnic groups, each with their own distinct weaving traditions. Among the Black Thai in northwest Vietnam’s Son La province, for example, young girls are expected to learn how to raise silk worms and make natural dyes using indigo.

Question:The word “sericulture” in paragraph 4 is closest in meaning to________.

A. the wide cultural collection of ethnic silk costumes

B. a series of cultural events of ethnic groups and silk weaving

C. a center of handloomed silk shantung and jacquards

D. the rearing of silkworms for the production of raw silk.

1
20 tháng 4 2017

Đáp án:

Từ "sericulture" trong đoạn 4 gần nhất có nghĩa là ________.

A. bộ sưu tập văn hóa rộng của trang phục lụa dân tộc

B. một loạt các sự kiện văn hóa của các nhóm dân tộc và dệt lụa

C. một trung tâm của shantung lụa handloomed và jacquards

D. việc nuôi tằm để sản xuất tơ thô.

sericulture = the rearing of silkworms for the production of raw silk

Đáp án cần chọn là: D

30 tháng 5 2018

Đáp án A

Giải thích: Dựa vào câu: “They raise and resurface the roads so that the roads will not be muddy and flooded after it rains.”.

Dịch: Họ nâng và trải lại nhựa đường để các con đường không bị bùn lầy và lũ lụt sau mưa

29 tháng 7 2019

Đáp án: A

Giải thích: Dựa vào câu: “They raise and resurface the roads so that the roads will not be muddy and flooded after it rains.”.

Dịch: Họ nâng và trải lại nhựa đường để các con đường không bị lầy bùn và lũ lụt sau mưa

1 tháng 1 2020

Đáp án:A

Giải thích: Dựa vào câu: “They raise and resurface the roads so that the roads will not be muddy and flooded after it rains.”.

Dịch: Họ nâng và trải lại nhựa đường để các con đường không bị lầy bùn và lũ lụt sau mưa